(born July 21, 1934, London, Eng.) British director, writer, and actor. After earning a medical degree at Cambridge University, he made his professional stage debut at the Edinburgh Festival in the hit satirical revue Beyond the Fringe (1960).  Related Paintings of jonathan miller :. | foregarnde sida | foregende sida v | nasta sida | t v den | den karismatiske |
Related Artists:
BASTIANI, Lazzaro
Italian painter, Venetian school (b. 1449, Venezia, d. 1512, Venezia) Italian painter. He is first recorded in 1449, as a painter in Venice and in 1460 he was paid for an altarpiece in S Samuele there. Although no extant work is securely documented, several are signed and two are dated. The influence of Andrea del Castagno is clear in his early works, of the 1460s: the signed mosaic of St Sergius (Venice, S Marco), the Archangel Gabriel (Padua, Mus. Civ.) and the signed Piet? (Venice, S Antonino). Also assigned to this period are the Adoration of the Magi (New York, Frick), the polyptych of St Francis (Matera, S Francesco), the St Jerome.
Charles Courtney Curran
1861-1942 Charles Courtney Curran Gallery Curran was born in Hartford, Kentucky in 1861 and moved to Sandusky, Ohio in 1881. He studied one year at the Cincinnati School of Design, and began a brilliant career after moving to New York City in 1882 where he enrolled in the National Academy of Design. He went on to study at the Acad??mie Julian in Paris and was a student of Benjamin Constant, Jules-Joseph Lefebvre and Henri Lucien Doucet. Curran himself would become a teacher at the Pratt Institute, New York City, the Cooper Union and the National Academy.
Juan de Espinosa
Spanish Baroque Era Painter, ca.1590-1641, Spanish painter. Details of his life are scarce. He is documented in Madrid and Toledo between 1612 and 1626, and while he is recorded as having painted religious pictures and portraits (untraced), he is only known today for his still-life paintings. Documents relating to another artist of the same name, known as Juan de Espinosa, dating from 1645 to 1677, concern a different painter.